South African visual artist Kendall-Leigh Nash

Kendall-Leigh Nash

South Africa | 3 artworks for sale

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  • Mama Gaia - Drawing by Kendall-Leigh Nash Mama Gaia
    Drawing / 56 x 76 cm
    R13 300
  • When Worlds Collide VI - Drawing by Kendall-Leigh Nash When Worlds Collide VI
    Drawing / 50 x 70 cm
    R9 800
  • When Worlds Collide II - Drawing by Kendall-Leigh Nash When Worlds Collide II
    Drawing / 56 x 75 cm
    R9 800
  • Lion Queen - Drawing by Kendall-Leigh Nash
    Lion Queen
    Drawing / 70 x 100 cm
  • Letter To The Birds - Drawing by Kendall-Leigh Nash
    Letter To The Birds
    Drawing / 70 x 70 cm
  • When Worlds Collide VIII - Drawing by Kendall-Leigh Nash
    When Worlds Collide VIII
    Drawing / 50 x 70 cm
  • When Worlds Collide III - Drawing by Kendall-Leigh Nash
    When Worlds Collide III
    Drawing / 47 x 70 cm
  • When Worlds Collide VII - Drawing by Kendall-Leigh Nash
    When Worlds Collide VII
    Drawing / 50 x 70 cm
  • When Worlds Collide V - Drawing by Kendall-Leigh Nash
    When Worlds Collide V
    Drawing / 100 x 70 cm
  • When Worlds Collide I - Drawing by Kendall-Leigh Nash
    When Worlds Collide I
    Drawing / 100 x 70 cm
  • Walks With Mila IV - Drawing by Kendall-Leigh Nash
    Walks With Mila IV
    Drawing / 70 x 74 cm
  • Walks With Mila II - Drawing by Kendall-Leigh Nash
    Walks With Mila II
    Drawing / 70 x 100 cm
Photography inspires me and has deeply moved me to create these drawings. I use the medium of charcoal and pastel to create botanical drawings. The botanical subject brings me joy as I go out and take the photos myself. The act of doing this and being in nature is my form of meditation. The focus on light and understanding how it works and how effective it can be, is the main driving force behind the photos I take and then choose to draw.

Kendall-Leigh Nash graduated with a BA Fine Art from Rhodes University in 2011. Whilst there she was mentored in drawing techniques by acclaimed artist Diane Victor. 

Selected Exhibitions:
2024
Group exhibition at Noordhoek Art Point, Cape Town. ‘The Art of Birds’, August
Group exhibition at Kirstenbosch Gardens, Cape Fine Art collective, April.
Group exhibition at Noordhoek Art Point, Cape Town. ‘Out of the Box’, April.
Group exhibition at State of the Art Gallery, Cape Town. ‘Paper Tale’, February.
Group exhibition at Kirstenbosch, Cape Fine Art collective, January.

2023
Group exhibition at Kirstenbosch, Cape Fine Art collective, December.
Group exhibition at Noordhoek Art Point, Cape Town. ‘Blooming Marvellous’, October.
Group exhibition at Rossouw Modern, Hermanus. ‘Fijn’ group show, September.
Group exhibition, SPACE Modern, Hermanus. ‘GBV’ group show, March.

2021
Group exhibition, Art@Africa, ‘Whalesong’, Hermanus.
Group exhibition, Art@Africa, ‘On thin Ice’, Cape Town
Participant in the ‘This is Art’ art expo’, CTICC, Cape Town
Group exhibition, SASA Members Exhibition, Kirstenbosch.

2022
Group exhibition, Finalist for ‘Degrees of Realism’ competition, Drawing Guild, Johannesburg,
October.

2021
Expo, This is Art expo, CTICC in Cape Town, November
Group exhibition, Art @ Africa, Hermanus. ‘Whalesong’ group show, September.
Group exhibition, SASA Members exhibition, Kirstenbosch.
Group exhibition, Finalist for ‘Degrees of Realism’ competition, Drawing Guild, Johannesburg.

2017
Finalist in Tollman Bouchard Finalyson, tondo art competition, 'Reflections',
Hermanus Fynarts Festival.
Group Exhibition, 'Monuments', Taj Hotel, Cape Town
Group Exhibition, 'Spring', StateoftheART gallery, Cape Town
2016
Group Exhibition 'Beneath The Skin', StateoftheART, Cape Town

2014
Group Exhibition “Drawing the Line”, Art B gallery in Belville.

2013
Members Group Exhibition at Art B gallery in Belville.

Publications & Media:
2016:
Southern Vines magazine feature, Pg.25
State of the Art Gallery : Online Artist’s feature

2021:
Drawing Guild: Artist’s feature

Awards:
2017 finalist in Tollman Bouchard Finlayson, tondo art competition;
‘Reflections’

Which artists, books or music have inspired your work?
My works are mainly inspired by the natural world around me, but I’m sure on some level music, books and artists have influenced my pieces in some way. I am inspired by the artist William Turner. Maya Angelou is my favorite author and I love listening to Xavier Rudd.

Which South African deceased artist do you most admire and why?
I most admire Pierneef for his use of colour, composition and subject matter.

If you could only have one piece of art in your life, what would it be?
I would love to own an original drawing from Zaria Lynn Forman.

Pick three artists who you would be honored to exhibit with – and why
I’d be honored to exhibit with Jono Dry, Zaria Forman, and Lisa Ericson. I am inspired by their subject matter, use of materials, light in their work and skill level.

How did you get started? Did you always want to be an artist?
I started from a young age and have always been moved to express myself creatively, either through painting, drawing, writing or photography. This passion has continued throughout my life and evolved through studies and art practice. I always knew I’d use my creativity in some way, through creating or teaching or both.

What are some of the key themes you explore in your work?
I explore nature in an extreme close-up way when I take the photographs I then choose to draw. I focus quite heavily on the light, shadows, and composition in each piece, especially because my drawings are predominantly black and white. I feel light and composition is a very important theme running throughout my work.

What should people know about your art that they can’t tell from looking at it?
My art is my unique way of seeing the world around me. I actively explore different angles and light in a search to capture and recreate the everyday thing in a new way. This is my way to slow down and connect to that world.

What are the most essential items in your studio and why?
My most essential items are the tools I use to create the drawings, these include the charcoal and pastel sticks as well as the paper I draw on. In the same breath, I don’t know what I’d do without my kneadable eraser, chunky compressed charcoal, and soft white pastels.

Tell us more about your creative process.
My creative process starts when I go out to take photographs, this may be intentional or (and this happens often) I stumble across a plant or flower I think is interesting or is sitting in interesting light and I take a quick snap of that moment with my phone. I then use these images as a guide from which I create my drawings.

Do you believe an artist should use their platform to influence society? Why?
I believe an artist should create work that means something to them and if this inspires or influences society, then that’s a bonus. The work must mean something to the artist first and hopefully the rest will follow suit.

Do you have a favourite or most meaningful work?
My second botanical piece, titled Hibiscus II, is one of my most meaningful works.
 
What is your greatest achievement as an artist to date?
My greatest achievement is simply being able to continue to create and explore and evolve with my work.

What are your aspirations for the future?
I hope to, simply, sustain myself through my art and make this a full-time operation. I would love to have a solo exhibition one day too.