South African visual artist Kendall-Leigh Nash

Kendall-Leigh Nash

South Africa | 7 artworks for sale

  • Blue Crane - Drawing by Kendall-Leigh Nash Blue Crane
    Drawing / 57 x 57 cm
    R19 800
  • Hummingbird - Drawing by Kendall-Leigh Nash Hummingbird
    Drawing / 57 x 57 cm
    R19 800
  • Go Gently Now - Drawing by Kendall-Leigh Nash Go Gently Now
    Drawing / 56 x 75 cm
    R20 500
  • Symbiosis - Drawing by Kendall-Leigh Nash Symbiosis
    Drawing / 100 x 70 cm
    R25 000
  • Sanctuary - Drawing by Kendall-Leigh Nash Sanctuary
    Drawing / 100 x 70 cm
    R25 000
  • Mama Gaia - Drawing by Kendall-Leigh Nash Mama Gaia
    Drawing / 56 x 76 cm
    R12 000
  • When Worlds Collide VI - Drawing by Kendall-Leigh Nash When Worlds Collide VI
    Drawing / 50 x 70 cm
    R12 000
  • When Worlds Collide II - Drawing by Kendall-Leigh Nash
    When Worlds Collide II
    Drawing / 56 x 75 cm
  • Lion Queen - Drawing by Kendall-Leigh Nash
    Lion Queen
    Drawing / 70 x 100 cm
  • Letter To The Birds - Drawing by Kendall-Leigh Nash
    Letter To The Birds
    Drawing / 70 x 70 cm
  • When Worlds Collide VIII - Drawing by Kendall-Leigh Nash
    When Worlds Collide VIII
    Drawing / 50 x 70 cm
  • When Worlds Collide III - Drawing by Kendall-Leigh Nash
    When Worlds Collide III
    Drawing / 47 x 70 cm
  • When Worlds Collide VII - Drawing by Kendall-Leigh Nash
    When Worlds Collide VII
    Drawing / 50 x 70 cm
  • When Worlds Collide V - Drawing by Kendall-Leigh Nash
    When Worlds Collide V
    Drawing / 100 x 70 cm
  • When Worlds Collide I - Drawing by Kendall-Leigh Nash
    When Worlds Collide I
    Drawing / 100 x 70 cm
  • Walks With Mila IV - Drawing by Kendall-Leigh Nash
    Walks With Mila IV
    Drawing / 70 x 74 cm
  • Walks With Mila II - Drawing by Kendall-Leigh Nash
    Walks With Mila II
    Drawing / 70 x 100 cm
Kendall-Leigh Nash is a contemporary South African artist known for meticulously rendered graphite and charcoal drawings inspired by wildlife, plants and the interconnected systems of the natural world. Working almost entirely in monochrome, she creates imagined environments in which animals, insects, fungi and botanical forms exist in delicate balance.

Her drawings reward close attention. Feathers, fur, leaves and organic textures are built through subtle changes in tone, while dramatic contrasts of light and shadow give each composition a striking sense of depth. Nash’s background in photography is evident in her precise framing and close observation of light, enabling her to give familiar subjects an unexpected presence.

Although technically accomplished, these works are not simply studies of animals or plants. Nash uses the natural world to explore coexistence, vulnerability and mutual dependence. Her subjects are often surrounded by other organisms, suggesting the largely unseen relationships through which ecosystems survive.

There is a quiet sense of wonder at the heart of her practice. Rather than presenting humankind as separate from nature, Nash reminds us that every living thing forms part of a larger, shared system. Her drawings invite a slower way of looking—one shaped by curiosity, compassion and respect.

Explore original graphite and charcoal drawings by Kendall-Leigh Nash for sale exclusively through StateoftheART, with worldwide delivery available.

Kendall-Leigh Nash was born in South Africa in 1989. She graduated with a BA in Fine Art from Rhodes University in 2011, where she was mentored in drawing by acclaimed South African artist and printmaker Diane Victor.  Nash has worked in both photography and fine art. Her photographic experience has had a lasting influence on her drawings, particularly in her use of tonal contrast, composition and closely cropped viewpoints. Many works begin with photographs taken while she is outdoors, sometimes during a deliberate search for a subject and sometimes after an unexpected encounter with an animal, plant or unusual pattern of light. Back in the studio, these references are reimagined in graphite and charcoal. Nash does not simply reproduce what she has photographed. She combines natural subjects and invents new relationships between them, creating detailed worlds that sit between scientific observation and the imagination. Her earlier work often focused on portraiture and the relationship between people, animals and the environment. As her practice developed, wildlife and botanical subjects moved increasingly to the foreground. Birds, primates, insects and plant life now appear within compositions that explore symbiosis, ecological vulnerability and the need for greater care towards the living world.
Nash’s drawings are created slowly, using graphite, charcoal, pastel and erasure to build light, texture and form. Recent creative exchanges with artist Jono Dry have encouraged an even more patient and technically precise approach. Despite their realism, her works retain a dreamlike quality: individual species are brought together in imagined encounters that reveal broader truths about connection and survival.

Her work has appeared in exhibitions across the Western Cape, including The Art of Birds and Out of the Box at Noordhoek Art Point, Fijn at Rossouw Modern, and exhibitions with the Cape Fine Art Collective at Kirstenbosch. She has also participated in several StateoftheART exhibitions, including Beneath the Skin, Spring and Paper Tale.  Nash was a finalist in the Tollman Bouchard Finlayson Tondo Competition at the Hermanus FynArts Festival in 2017 and a finalist in the Drawing Guild’s Degrees of Realism competition.

Through her finely observed drawings, Nash gives visual form to the relationships that connect animals, plants and ecosystems. Her work asks us to look beyond individual species and recognise the shared world on which all life depends.

Selected Exhibitions:

2026
Group exhibition ROOTED at StateoftheART, Stanford, Western Cape

2024
Group exhibition at Noordhoek Art Point, Cape Town. ‘The Art of Birds’, August
Group exhibition at Kirstenbosch Gardens, Cape Fine Art collective, April.
Group exhibition at Noordhoek Art Point, Cape Town. ‘Out of the Box’, April.
Group exhibition at State of the Art Gallery, Cape Town. ‘Paper Tale’, February.
Group exhibition at Kirstenbosch, Cape Fine Art collective, January.

2023
Group exhibition at Kirstenbosch, Cape Fine Art collective, December.
Group exhibition at Noordhoek Art Point, Cape Town. ‘Blooming Marvellous’, October.
Group exhibition at Rossouw Modern, Hermanus. ‘Fijn’ group show, September.
Group exhibition, SPACE Modern, Hermanus. ‘GBV’ group show, March.

2021
Group exhibition, Art@Africa, ‘Whalesong’, Hermanus.
Group exhibition, Art@Africa, ‘On thin Ice’, Cape Town
Participant in the ‘This is Art’ art expo’, CTICC, Cape Town
Group exhibition, SASA Members Exhibition, Kirstenbosch.

2022
Group exhibition, Finalist for ‘Degrees of Realism’ competition, Drawing Guild, Johannesburg,
October.

2021
Expo, This is Art expo, CTICC in Cape Town, November
Group exhibition, Art @ Africa, Hermanus. ‘Whalesong’ group show, September.
Group exhibition, SASA Members exhibition, Kirstenbosch.
Group exhibition, Finalist for ‘Degrees of Realism’ competition, Drawing Guild, Johannesburg.

2017
Finalist in Tollman Bouchard Finalyson, tondo art competition, 'Reflections',
Hermanus Fynarts Festival.
Group Exhibition, 'Monuments', Taj Hotel, Cape Town
Group Exhibition, 'Spring', StateoftheART gallery, Cape Town
2016
Group Exhibition 'Beneath The Skin', StateoftheART, Cape Town

2014
Group Exhibition “Drawing the Line”, Art B gallery in Belville.

2013
Members Group Exhibition at Art B gallery in Belville.

Publications & Media:
2016:
Southern Vines magazine feature, Pg.25
State of the Art Gallery : Online Artist’s feature

2021:
Drawing Guild: Artist’s feature

Awards:
2017 finalist in Tollman Bouchard Finlayson, tondo art competition;
‘Reflections’

Which artists, books or music have inspired your work?
My works are mainly inspired by the natural world around me, but I’m sure on some level music, books and artists have influenced my pieces in some way. I am inspired by the artist William Turner. Maya Angelou is my favorite author and I love listening to Xavier Rudd.

Which South African deceased artist do you most admire and why?
I most admire Pierneef for his use of colour, composition and subject matter.

If you could only have one piece of art in your life, what would it be?
I would love to own an original drawing from Zaria Lynn Forman.

Pick three artists who you would be honored to exhibit with – and why
I’d be honored to exhibit with Jono Dry, Zaria Forman, and Lisa Ericson. I am inspired by their subject matter, use of materials, light in their work and skill level.

How did you get started? Did you always want to be an artist?
I started from a young age and have always been moved to express myself creatively, either through painting, drawing, writing or photography. This passion has continued throughout my life and evolved through studies and art practice. I always knew I’d use my creativity in some way, through creating or teaching or both.

What are some of the key themes you explore in your work?
I explore nature in an extreme close-up way when I take the photographs I then choose to draw. I focus quite heavily on the light, shadows, and composition in each piece, especially because my drawings are predominantly black and white. I feel light and composition is a very important theme running throughout my work.

What should people know about your art that they can’t tell from looking at it?
My art is my unique way of seeing the world around me. I actively explore different angles and light in a search to capture and recreate the everyday thing in a new way. This is my way to slow down and connect to that world.

What are the most essential items in your studio and why?
My most essential items are the tools I use to create the drawings, these include the charcoal and pastel sticks as well as the paper I draw on. In the same breath, I don’t know what I’d do without my kneadable eraser, chunky compressed charcoal, and soft white pastels.

Tell us more about your creative process.
My creative process starts when I go out to take photographs, this may be intentional or (and this happens often) I stumble across a plant or flower I think is interesting or is sitting in interesting light and I take a quick snap of that moment with my phone. I then use these images as a guide from which I create my drawings.

Do you believe an artist should use their platform to influence society? Why?
I believe an artist should create work that means something to them and if this inspires or influences society, then that’s a bonus. The work must mean something to the artist first and hopefully the rest will follow suit.

Do you have a favourite or most meaningful work?
My second botanical piece, titled Hibiscus II, is one of my most meaningful works.
 
What is your greatest achievement as an artist to date?
My greatest achievement is simply being able to continue to create and explore and evolve with my work.

What are your aspirations for the future?
I hope to, simply, sustain myself through my art and make this a full-time operation. I would love to have a solo exhibition one day too.