South African visual artist Lizelle Kruger

Lizelle Kruger

Cape Town | 2 artworks for sale

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  • Karoo Mermaid - Painting by Lizelle Kruger Karoo Mermaid
    Painting / 35 x 65 cm
    R39 500
  • Alex In Front Of The Window - Painting by Lizelle Kruger Alex In Front Of The Window
    Painting / 38 x 23 cm
    R19 500
  • Oom Boet - Giclée Print by Lizelle Kruger
    Oom Boet
    Giclée Print / 43 x 50 cm
  • Allegory Of A Karoo Mermaid - Painting by Lizelle Kruger
    Allegory Of A Karoo Mermaid
    Painting / 43 x 96 cm
  • Black Widow - Painting by Lizelle Kruger
    Black Widow
    Painting / 33 x 45 cm
  • A Private Moment of Rest - Painting by Lizelle Kruger
    A Private Moment of Rest
    Painting / 103 x 162 cm
  • My Sarie Marais - Mixed Media by Lizelle Kruger
    My Sarie Marais
    Mixed Media / 74 x 48 cm
  • Afternoon Stroll On The Pier - Painting by Lizelle Kruger
    Afternoon Stroll On The Pier
    Painting / 63 x 61 cm
  • Girls From District Six on Holiday - Painting by Lizelle Kruger
    Girls From District Six on Holiday
    Painting / 41 x 51 cm
  • Muizenburg Pier - Painting by Lizelle Kruger
    Muizenburg Pier
    Painting / 30 x 30 cm
  • Sunday Afternoon Drive - Mixed Media by Lizelle Kruger
    Sunday Afternoon Drive
    Mixed Media / 55 x 55 cm
  • After Midnight - Painting by Lizelle Kruger
    After Midnight
    Painting / 147 x 197 cm
  • The Boxers - Mixed Media by Lizelle Kruger
    The Boxers
    Mixed Media / 103 x 96 cm
  • Master Brain As Arabella Chump - Mixed Media by Lizelle Kruger
    Master Brain As Arabella Chump
    Mixed Media / 59 x 59 cm
  • Karoo Kado'tjies Series - Print by Lizelle Kruger
    Karoo Kado'tjies Series
    Print / 29 x 29 cm
  • Madonna Bank met Rose Gloed - Print by Lizelle Kruger
    Madonna Bank met Rose Gloed
    Print / 40 x 32 cm
  • Reflections - Oil Painting by Lizelle Kruger
    Reflections
    Oil Painting / 44 x 53 cm
  • Sannie Het Gaan Water Haal Daar Onder By Die Dam - Painting by Lizelle Kruger
    Sannie Het Gaan Water Haal Daar Onder By Die Dam
    Painting / 91 x 138 cm
  • Namaqualand Daisies – Tanqua Karoo - Painting by Lizelle Kruger
    Namaqualand Daisies – Tanqua Karoo
    Painting / 43 x 43 cm
Lizelle Kruger is a South African contemporary artist whose richly detailed paintings explore memory, identity and our connection to place. Working from her Cape Town studio, she draws inspiration from the people, landscapes and inherited histories of South Africa, with the Karoo holding a particularly important place in her work.

Kruger is best known for her Karoo Kado’tjies series. The title translates loosely as “small gifts from the Karoo” and refers to the weathered objects, fragments of architecture and natural details she encounters around Sutherland, Merweville and the Tankwa Karoo. A rusted enamel bowl, an abandoned farmhouse or a faded piece of timber can become a reminder of lives once lived and of the passage of time.

The female figure is central to many of these paintings. Kruger’s recurring white bonnet draws on a Voortrekker outfit made for her Barbie doll during childhood, based on one sewn by her mother. Reintroduced into contemporary compositions, the bonnet becomes a layered symbol through which she considers memory, femininity, cultural inheritance and traditionally prescribed roles.

Her work balances careful realism with moments of dreamlike invention. Figures may appear entirely at home within the landscape while also seeming to belong to another time or imagined story. This subtle surrealism allows personal memories and familiar South African settings to take on a mythic quality.

Whether painting a Karoo figure or revisiting an episode from Cape Town’s past, Kruger is interested in the stories held by ordinary people, places and objects. Her work encourages us to look beyond outward appearances and recognise how history continues to live within the present.

View original paintings by Lizelle Kruger for sale exclusively through StateoftheART, with worldwide delivery available.

Lizelle Kruger was born in Humansdorp in the Eastern Cape in 1963. Her childhood included regular journeys through Namibia and the arid landscapes of the Cape, experiences that developed her lasting fascination with unusual rock formations, wide-open spaces and the traces people leave on the land. She studied at the Technikon Orange Free State from 1982 to 1983 before continuing at Cape Technikon, where she completed a National Diploma in Fine Art in 1984. She received awards for progress in fine art and for sculpture and ceramics during her studies.

Kruger works across oil, acrylic, charcoal, pastel, watercolour, drawing, mixed media, sculpture and ceramics. This broad technical background has enabled her to move between intimately scaled paintings, large figurative works, sculptural installations and public commissions. After graduating, she worked as a graphic artist in the South African Defence Force’s production department. She also completed sculptural and mural commissions, including a ceramic mural measuring seven by 2.3 metres for the Armscor building. Her murals and sculptures can still be found at several military headquarters around South Africa.

The Karoo became the foundation of Kruger’s most recognisable body of work. She regularly returns to the areas around Sutherland, Merweville, the Koup and the Tankwa Karoo to photograph people, buildings, landscapes and found objects. These photographs are later cropped and combined in the studio to develop the carefully constructed compositions from which she paints. The Karoo Kado’tjies series draws on family history and childhood memory as much as physical place. Weathered domestic objects and abandoned structures represent both endurance and impermanence, while the recurring bonneted woman allows Kruger to explore her identity as an Afrikaner woman and the cultural expectations attached to that inheritance. 

Another important body of work turns towards the history of Cape Town. Using a more subdued palette and looser combinations of charcoal and oil, Kruger revisits street life in the city from the 1920s to the 1960s. Historical scenes involving District Six, forced removals, dockside life and the women associated with the city’s “Sugar Houses” are brought into conversation with Cape Town’s present. Her 2018 solo exhibition, Cape Town Memoirs and Dangerous Liaisons, placed women at the centre of the city’s history. The exhibition paid tribute to enslaved women, indigenous Khoi communities, the women of District Six and others whose labour and experiences have often been overlooked in conventional historical accounts.

Kruger was a finalist in the Volkskas Atelier Competition in 1989 and 1991 and in the Brett Kebble Art Awards in 2003. Her exhibition history includes solo presentations at The Cape Gallery, Salon 91 and the Castle of Good Hope, along with group exhibitions in South Africa, Ireland and Dubai. Her work has also appeared in Home Is Where the Art Is at Zeitz MOCAA. Paintings by Kruger are held in private collections in South Africa, the United Kingdom, Germany, Austria, Australia, the United States, Singapore, Ireland and the United Arab Emirates.

Across her practice, Kruger brings personal memory and South African history together, revealing beauty and meaning in landscapes, people and objects that might otherwise be forgotten.       

Selected Exhibitions and Awards

  • 2018Cape Town Memoirs and Dangerous Liaisons, solo exhibition, StateoftheART Gallery, Cape Town
  • 2011 — Solo exhibition, The Castle of Good Hope, Cape Town
  • 2011 — Solo exhibition, Salon 91 Contemporary Art Collection, Cape Town
  • 2008 — Group exhibition, Salon 91 Contemporary Art Collection, Cape Town
  • 2008Women in Art, group exhibition, Mondo Arte Gallery, Dubai, UAE
  • 2007 — Group exhibition, The Cape Gallery, Cape Town
  • 2007 — Summer group exhibition, Oisin Gallery, Dublin, Ireland
  • 2006 — Group exhibition, Oisin Gallery, Dublin, Ireland
  • 2003 — Solo exhibition, The Cape Gallery, Cape Town
  • 1996 — Group exhibition, The Castle of Good Hope, Cape Town
  • 1994 — Solo exhibition, Riversdale
  • 1993 — SANDF group exhibition, Pretoria



    

Which new trends or South African artists do you find inspiring at the moment?
Michael Pettit – I love his work, I have admired his work since I was a young artist in my 20s. He’s very dedicated.

Which South African deceased artist do you most admire and why?
Irma Stern and Maggie Loubser. Their use of colour and very bold expressionistic style appeals to me.

Which exhibition that you have visited made the greatest impact on you and why?
I’ve enjoyed seeing the exhibitions curated by the Oisen Gallery in Dublin - I took part in their summer and xmas exhibitions a couple of years ago. The curator always sources the most beautiful realism – such inspiring, good work.

Where do you get your inspiration for your work?
My latest series, Karoo work, comes from the area around Sutherland Tanqua-Karoo and Merweville in the Koup – inspiration comes from my roots as a child in the Karoo

Do you have any rituals or habits involving your art-making that you can tell us about?
Before I start painting I have a good breakfast, then I will light up 6 – 7 different incense sticks. I feel as though I’m dedicating my day to God when I start to paint. I also listen to Indian or Arabic music whilst I’m working.

What do you like most about being an artist?
I feel very blessed by God because it has made my life so exciting – circumstances, projects. I have the most interesting life, and have met the most interesting people, and travelled to amazing countries – all because of my art and God’s grace.

How do you handle bad days when you experience artist's block?
I believe that artist’s block is a fable and deny that it exists, and that to be an artist it’s about discipline. And that you should just sit down and work through the difficult days – lack of inspiration is an excuse not to work.

What is your greatest achievement as an artist to date?
My exhibition in 2011 – I’ve had them before – but this exhibition was about my body of work, my ideas that had come out of my past and soul. I’d created my own theme and identiy, whereas before I would have drawn my ideas from foreign influences, people I met, or local themes. I am very proud to have my own identity as an artist as it has taken me so many years to establish this as I have grown as an artist

Do you feel that you want to make a difference to the world or in people's lives? If yes, how?
Absolutely. One thing I really don’t want to do is create morbid art – art should uplift people, make their lives beautiful. I want to create beauty that people can enjoy – there is beauty in ordinary everyday things such as derelict farm houses, rusted plates – and I want to show that beauty to the world.

What are your plans for the coming year?
I’m working towards my next exhibition but I have decided to enjoy life and live life more, not just sit and paint all the time. Spend more time with my family and go on trips to new places both at home and abroad.